Book Review: Trigger Mortis
By Anthony Horowitz
This fall Daniel Craig returned to the
silver screen to star in Spectre, the
24th installment of the James Bond franchise originally created by Ian
Fleming. While Spectre was a bit hit
at the box office, the venerable franchise also returned in print, with Anthony
Horowitz taking up the pen were Fleming left off, in order to bring back the
James Bond that Ian Fleming originally envisioned. The story nestles in between
the events in Goldfinger and For Your Eyes Only, and is partly based
on Ian Fleming´s original notes.
Daniel Craig´s modern Bond is fair haired,
handles technology with ease and shows off his ripped torso to a lady with an
accent astride a white horse every time he saunters onto a beach. The secret
service agent that Ian Fleming envisioned through the generous cigarette smoke
at his Goldeneye estate in Jamaica was literally none of the above. Bond, in
his own words, was supposed to be a plain looking and rather boring man,
devoted to king and country. He only went to exotic places and did interesting
things because Her Majesty’s Exchequer paid his salary. When I read the first
Bond novel, Casino Royale, our
favorite secret agent drank so much and smoked so copiously that I was amazed
he could even climb the stairs to his hotel room. Besting Le Chiffre at
baccarat and bringing down his soviet spy ring seemed like a very tall order
indeed. In the sequel, Live and Let Die,
Bond limits himself to ten cigarettes a day and takes a sprightly jog down the
beach as a concession to reality in order to toughen himself up before he can
take down the devious Mr. Big. Horowitz continues, with barely concealed
delight, in this same vein. The Moorlands cigarettes from Grosvenor Street, the
V8-Bentley, an M played by Bernard Lee and Don Draper´s view of women in the
workplace are all duly ticked off. Horowitz´s narrative is focused and
believable enough that the fifties touch doesn´t feel overly out of place.
After having foiled Auric Goldfinger´s
heist of the century in Ian Flemings original novel, the story in Trigger Mortis starts off with Bond
having returned to London. He is accompanied by the charismatic Pussy Galore,
the lesbian leader of a criminal gang composed entirely of women, whom Bond
seduced while battling Mr. Goldfinger. He barely has time to show her the
sights before Old Blighty is once more presented with an urgent threat to its
national security. The Soviet intelligence agency SMERSH plans to sabotage a
race at the infamous Nürburgring race track in Germany. Their intention is to
show off the superiority of Soviet technology by ensuring that their
16-cylinder behemoth of a race car wins. This places the tally ho British race
car driver Lancy Smith in mortal danger and Bond is dispatched to ensure his
survival. The vintage racing around the Nürburgring is a period montage of
dashing brylcreemed drivers jammed into primitive cars so life threatening that
Lancy Smith´s own motor would probably have been just as dangerous as any
SMERSH assassin.
However, when Bond spots SMERSH´s driver
together with reclusive Korean billionaire Jason Sin, he realizes that there´s
more on the line than simply the life of a British race car driver. The
mysterious death of a rocket scientist from former Nazi Germany and the
development of a new high-tech ballistic missile raises the stakes
considerably. Being a double certainly O is certainly not easy, but luckily the
mysterious and alluring Jeopardy Lane also has a bone to pick with Mr. Sin.
Ian Fleming´s works of fiction were never
part of the respectable literary scene, they were accessible adventure stories
aimed at the wider market, yet written with a distinctively suave flair.
Horowitz has done a splendid job of resurrecting the historical Bond, and Trigger Mortis does feel like a novel
that Fleming himself could have written. He has great attention to detail and
presents the reader with a fast paced narrative that is reminiscent of what
Sean Connery got up to during the sixties. The race at the Nürburgring is the
part that is based on Fleming own notes, but Horowitz manages to craft a
compelling story with the help of that tasty morsel. The novel could have been
a little bit longer, but then Fleming´s originals were rather short as well, so
I guess that´s to be expected. In summary, Trigger
Mortis doesn´t disappoint would certainly be a splendid read for the
holidays.
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